Echoes of the Past 5" x 7" watercolor painting |
Painting Small
Buildings with Few Details
Elkmont
Abandoned Cabins
in the Mountains
The painting above was painted from a photograph I took
in the Elkmont area of the Great Smoky Mountains National Park and is a good
example of painting small structures in a landscape with little detail in an
Impressionistic style.
To add a little background to this painting, below is a
short history of the Elkmont area:
Elkmont was a
former community in the Smoky Mountains in Tennessee named for the numerous elk
which once inhabited the area. The
community grew up adjacent to the former logging town of Elkmont when the
Little River Lumber Company sold land to individuals to create a private social
club. What began as a “Gentleman’s
Hunting Club” soon developed as a place for affluent Knoxville, TN families to
escape the hot urban summers. The
Elkmont Campground of the GSMNP exists where the original town of Elkmont was
located.
When land was
acquired for the creation of the Great Smoky Mountains National Park in the
1920’s and 1930’s, most farms and homes of the mountain people were purchased
and residents were required to vacate the property. The Elkmont Club residents were able to
negotiate lesser sale amounts in exchange for lifetime leases on these
properties. The last lease expired in
2001. The Park General Management Plan
calls for all structures to be removed and returned to their natural
state. However, the park is currently
conducting an Environmental Impact Statement to determine the future of this
district. All Elkmont buildings are
closed to the public; however, photos can be taken from outside the structures
along the trails.
One can see the beauty of many of these mountain cabins
in spite of the ravages of time and the elements.
I enjoy painting cabins and these were interesting in
spite of their condition. As one can
see from the painting above, the buildings are in disrepair and the red cabin
on the right has braces holding up the walls.
In this painting, I wanted to give a general feeling of the area, not a
photographic representation.
This painting was done quickly with few details in the
cabins. The emphasis was getting the
feeling of the area as indicated by the muted color tones as well as the misty
background trees and the lack of details in the foreground as well as the
cabins.
Supplies Needed:
Watercolor paper – your choice of size – I used a 5” x 7” piece of 140# watercolor paper
Masking Tape
Watercolor board
Brushes: flat and round (size of your choice based on the size of your paper)
Paint:
Watercolor paper – your choice of size – I used a 5” x 7” piece of 140# watercolor paper
Masking Tape
Watercolor board
Brushes: flat and round (size of your choice based on the size of your paper)
Paint:
- Yellow Ocher
- Sap Green
- Ultramarine Blue
- Viridian Green
- Crimson
- Sepia
- Burnt Umber
- Payne’s Gray
- VanDyke BrownPainting Instructions:Lightly sketch in the cabins and background/foreground with very little detail.
Wet the top background area with is basically all foliage
with clean water. Painting wet on wet,
drop in Sap Green, yellow ocher and Vandyke Brown. Refer to photo above. Allow to dry.
Foreground:
Wet the front section of your painting and again painting
wet on wet. Drop in the following
colors: VanDyke Brown, Sepia, and Sap
Green. Refer to the photo above. Allow to dry.
Cabins:
Green Cabin:
I painted the roof first and worked my way down the cabin
from top to bottom. I painted the rock
chimney on the right side last.
Note: I did not
use masking fluid around the doors and windows, but painted carefully around
the inside and outside of the window and door frames.
The roof was painted wet on wet using a very light wash
of Payne’s Gray. Touches of Sap Green
and Yellow ocher were dropped in various locations to show moss growth. The underside trim of the roof was painted
with a mix of Sepia and VanDyke Brown.
Paint the areas under the edge of the roof a bit darker. Allow to dry.
The cabin siding was painted next from a wash of Viridian
Green mixed with Burnt Umber. Refer to
the photo and deepen the color in the shadow sections near the roof, under the
windows and near the bottom of the cabin.
Allow to dry and then dry brush the same colors of paint onto of the
wash to provide a little bit of siding texture.
Allow to dry.
Paint the inside of the cabin seen through the windows
using Payne’s Gray and allowing for the view to continue through to the outside
area. Use a light wash of Payne’s Gray
to paint the screen door. Allow to dry.
Red Cabin:
The red cabin was painted using a wash of Crimson mixed
with VanDyke Brown. Vary the shades
based on light. The roof was painted
with a wash of VanDyke Brown. Allow to
dry. Add a few darker area of VanDyke
Brown to indicate the siding on the cabin.
Paint the windows using Payne’s Gray. Leave the frames white.
Details:
I prefer to paint with few details. However, the following details were added:
- Add the chimney using short brush strokes of VanDyke Brown.
- Add a light wash of Payne’s Gray around the window and door frames.
- Using a liner brush, paint in a few very faint lines for the screen in the door.
- Using the liner brush, paint in a few tree limbs in the background using VanDyke Brown.
- Check for any additional details you would like to add; however, remember it is not intended to be a photographic representation, but a general feeling of the cabins in that area.Sign your painting! Congratulations!
Happy Painting!
Karen
No comments:
Post a Comment